In 2011, Monica formed Kanutu Theatre to produce both classical and original plays. She went on to create ‘Scene and Blurred,’ an open mic for writers and performance artists, which Monica has taken on tour across Canada and to the United States. She wrote and starred in the short film ‘Lamenting Pluto’ (2018), which screened at film festivals around the world. In 2019, Monica was awarded the Rhonda Payne Theatre award from Arts NL.

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Don Bourque has worked in both public education and the private sector mental health field, retiring in early 2021. He has now authored and published his first trilogy in the Young Adult Fantasy genre. He volunteered with the RCMP New Brunswick Pipes and Drums for nine years and was/is involved with various associations, including the Army Cadet League of Canada, where he served as President of the New Brunswick Branch. He is also a Past President of the Association of 8th Canadian Hussars (Princess Louise’s) and a current Director with the Writers’ Federation of New Brunswick. 

Bea Waters is a maritime author and filmmaker who is interested in the stories that create connections and what those connections mean.

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A+B Roll Films is the award-winning directing duo of Brittney Gavin and Amy Mielke. Based in Halifax, Nova Scotia, the pair met in 2019 and became fast friends, quickly discovering they shared the same creative wavelength. Both started as editors, a background that gives them a unique perspective and a sharp sense of timing and tone. In 2022, they launched A+B Roll Films to tell bold, visually compelling stories that amplify underrepresented voices and explore themes of identity, culture, and social change. Their work blends heart, humour, and craft and recently earned them the 2024 Screen Nova Scotia Award for WIFT-AT Best Director and Best Documentary for their short documentary “Cold Dip.” In 2025, they released “Apex: The Black Masters,” a short documentary highlighting Nova Scotia’s longest-running Black golf tournament. The film drew national attention, and its story was even featured in Score Golf magazine.

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Teagan Anderson-Léger is a passionate creative from Moncton, NB, balancing life as a wife, mom, actor, and filmmaker with a career in procurement for the federal government. A dedicated supporter of the arts, Teagan has acted with different theatre groups in Moncton since moving to the area in 2017 and has served on the Board of Directors for Hubcity Theatre since 2021, contributing to Moncton’s vibrant theatre scene.

Teagan’s love for writing and rich storytelling extends to film, with her debut short film, “The Job,” earning recognition at the 2024 Silver Wave Film Festival, which included nominations for Outstanding Male Lead Performance and Music Composition, as well as placing 13th in the Top 20 Audience Choice Films.

With the help of other NB Film Co-op members, Teagan is currently producing her second film, No Straws, an exploration of friendship, grief, guilt, and the inevitability of letting go. Teagan is always eager to collaborate with fellow filmmakers and creatives to bring compelling ideas and stories to life.

Brenda Malley joined the New Brunswick Film Co-op in 2017, and between 2019 and 2025, she produced her four short screenplays that have garnered numerous awards and recognition worldwide. In 2023, she created an 8-episode series, The Town Clown, for Bell TV 1. The series became a feature and won Best Canadian Drama at the Toronto International Nollywood Film Festival and the Western Canada International Film Festival in 2024 and 2023, respectively. It also screened at additional film festivals.

Currently, Brenda is co-producing a short documentary about a local Fencing family’s commitment to excellence and a feature documentary about post-war New Brunswick as understood through the lens of the Escuminac Disaster 1959. Brenda also agreed to co-produce a short film in England and produce a short film written by a Film Co-op member.

Brenda is the president of Malley Films and Casting and an active member of Media NB. She is also one of the jurists for the International Film Festival The Hague for a second year.

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Amy has over 20 years of experience in photography, music, and filmmaking. She began her career as a professional photographer and pianist before transitioning into film, where she has worked in various roles on set and in production offices. Formerly an Executive Producer at Hemmings House Pictures, Amy now owns ASProductions Inc., collaborating with top industry professionals as a Producer and Director. Passionate about authentic storytelling, Amy's work explores themes of motherhood, mental wellness, and human complexity.

Amy is a dedicated advocate for diversity and inclusion in the arts and serves as a board member and Membership Committee Chair for WIFT-Atlantic and is on the Diversity Committee for Media NB. Currently, Amy is in pre-production for her first narrative horror short and post-production on her debut documentary. Amy is also an active NB Film Co-op member.

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Nadia Khoury has welcomed many artists and organizations into Gallery on Queen for various creative and cultural events, including film screenings. She is the past chair of the New Brunswick Foundation for the Arts and has coordinated multiple events for organizations such as the Beaverbrook Art Gallery, Jeunesse Musical, DOTs NB, and the Fredericton Botanic Garden.

Nadia has been actively involved in the province's artistic community as an art dealer, curator, and consultant for forty years. In 2021, Nadia was nominated for the 29th Annual RBC Canadian Women Entrepreneurial Award.

Nadia is passionate about anti-oppressive mandates that support artists from marginalized communities. She is a big supporter of arts education, development, and promotion and firmly believes in the transformative power of the arts in the Maritimes.

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The key creative team behind the journal Camel are Clarissa Hurley and Mark Anthony Jarman.

Clarissa Hurley is an award-winning actor, playwright, and freelance editor. Following her MA in English at UNB, she trained in theatre at the Royal Academy of Dramatic Art in London and the American Academy of Dramatic Arts in New York and studied at UofT’s Centre for Drama, Theatre and Performance Studies. She was a director of the NotaBle Acts Theatre Company in Fredericton for ten years and has recently appeared in several independent films. She is a past fiction editor for The Fiddlehead literary journal and the founding co-editor of Camel, an illustrated journal of narrative.

Mark Anthony Jarman’s Burn Man, his Selected Stories, was a 2024 Editors’ Choice with The New York Times. He edited Best Canadian Stories 2023 and is the author of Touch Anywhere to Begin, Czech Techno, Knife Party at the Hotel Europa, 19 Knives, and the travel book Ireland’s Eye. Published in journals across Europe, Asia, and North America, he is a graduate of The Iowa Writers’ Workshop, edited fiction at The Fiddlehead for 25 years, and now co-edits a new illustrated magazine, Camel.

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Ramneet Kalra is an award-winning multidisciplinary artist who combines his passion for poetry and photography. For his work for new and emerging BIPOC artists, he was awarded the JL Community Event Award in 2024. Ramneet’s photographs are characterized by their evocative use of light and color, and his poems often explore themes of nature, solitude, and the human condition. Ramneet’s latest project is called Unchartered Expressions.

Ramneet’s artwork has been shown in India, the USA, and Canada. Ramneet curated four shows for NB BIPOC artists: Outside Perspective (2023) and Dreamscapes (2024). With each exhibition, Ramneet invites you on a journey of discovery, where every artwork becomes a doorway to new perspectives and deeper understanding.

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Jeremy’s love for photography grew from his love for movies and cinematography. Because of this, his photography is greatly inspired by films and has a cinematic aesthetic. He started photography to grow his composition skills and experiment with lighting. Over time, he developed a love and appreciation for photography as an art form in and of itself. He is taking a break from filmmaking and created this photography project accompanied by poetry for his next project. Jeremy hopes it will be meaningful and thought-provoking work that will evoke an emotional response from viewers, like a film, but told in a series of still images.

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Michelle recently established the Cine-Kids Film School at the Fredericton Public Library, offering children aged 9-13 foundational classes in filmmaking and media literacy. She is a recipient of a Short Film Venture grant and NB Film Co-op Cultural Capital grant to shoot her films. Michelle holds a BFA in Film Production from York University; studied screenwriting with acclaimed writer-director Patricia Rozema; film theory with avant-garde filmmaker R. Bruce Elder; and attended Werner Herzog’s inaugural Rogue Film School in 2010. In 2019, she curated the exhibition "Film Farm: 25 Years of the Independent Imaging Retreat" at the TIFF Bell Lightbox, celebrating the legacy of handmade filmmaking in Canada. After a decade-long tenure at TIFF and Cineplex dedicated to preserving Canadian cinema heritage, and overseeing a research library & archive, Michelle is happy to once again be a part of the vibrant community of creators in Fredericton, New Brunswick.

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Alison Taylor (they/them) is an award-winning author, CCE-nominated editor, and renegade filmmaker based in Fredericton, NB. They have edited a hundred-plus hours of television, many award-winning short films and music videos, and the Colombian box-office hit El Jefe (in Spanish). Their own experimental films have screened at festivals internationally, and they have led editing workshops for LIFT, York University, and Charles Street Video in Toronto, as well as the New Brunswick Filmmakers’ Co-operative. Taylor’s debut novel Aftershock, published by HarperCollins Canada, received an Atlantic Books First Book Award, and was shortlisted for the Rakuten Kobo Emerging Writer Prize. They received the 2024 David Adams Richards Prize for Fiction for their work-in-progress, Confessions of a Binge Drinker (working title); and their screenplay “Sleeper,” currently in pre-production, received awards at the 2024 WIFT-AT Pitch This! competition and in the JL Screenwriting Award competition. An alumnus of the CFC’s Editor’s Lab, and with degrees in film from Queen’s and York Universities, they now work as a freelance editor of both books and film and video.

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Amy Stewart is a multidisciplinary artist with over 20 years of experience in photography, music, and filmmaking. She began her career as a professional photographer and pianist before transitioning into film, where she has worked in various roles on set and in production offices. Formerly an Executive Producer at Hemmings House Pictures, Amy now owns ASProductions Inc., collaborating with top industry professionals as a Producer and Director. Passionate about authentic storytelling, her work explores themes of motherhood, mental wellness, and human complexity. She is also a dedicated advocate for diversity and inclusion in the arts, serving as a board member and Membership Committee Chair for WIFT-Atlantic and on the Diversity Committee for Media NB. Currently, Amy is in pre-production for her first narrative horror short and post-production on her debut documentary.

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Carlee is a writer, playwright, and filmmaker from Bathurst, New Brunswick. Her plays have been produced by Notable Acts Theatre Festival (2019) and Herbert the Cow productions (2022). She directed a Bell FibeTV series called Skin and Bone (2023) and was also co-creator and co-producer of Us Soliscent Seeds (2023) a 4-part eco-horror audio drama set in Northern New Brunswick. All episodes are now available for streaming online. Recently, her short story Bar-Fly was published in FEILDS Magazine. She currently lives and works in Fredericton NB, where she received her M.A. in creative writing (screenwriting) from the University of New Brunswick. 

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Dave Petersen, a Dalhousie, NB native with deep roots in theatre and film, and an interest in all things creative, is the driving force behind the Heron Bay Film Festival. His organization, the nbNorEast Content Creators Collective, promotes education, production, and collaboration among different artistic genres.

About the event:
The Heron Bay Film Festival celebrates New Brunswick’s storytelling talents. The Festival allows creators from the North Shore and the province to screen their work for a live audience.

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Halifax-based Moroccan cellist and community builder Blanche Israël’s solo artistic project TOLEDANO manipulates ancient Sephardic songs using cello and electronics. Her project examines community, isolation, and the clash between ancestral customs and contemporary diasporic experience. It reflects on mourning, self-care, and longing for support, reconnecting with the endangered Judeo-Spanish and Ladino languages, and exploring the lives of her 104-year-old grandmother and 2-year-old daughter, who share the same name. Themes of community care, memory, feminism, and displacement resonate throughout the work.” Blanche

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Fredericton-based writer, director, and producer Nancy Lynch’s most recent project is the theatre production of Freddy-The Last Fish. The story follows a group of eclectic diners gathering in a small restaurant in Miramichi to eat the last salmon on earth. The play touches on various themes such as environmental issues, ethics, greed and looking out for our neighbours. Through humour, drama and music, the diners tell their reasons for wanting to travel to Miramichi to eat the last fish.

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